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The Museum of Modern Art, MoMA
Leaving behind the Impressionist doctrine of truth to nature in favor of restless feeling and intense color, as in this highly charged picture, van Gogh made his work a touchstone for all subsequent Expressionist painting.
The works presented in Kehinde Wiley: A New Republic raise questions about race, gender, and the politics of representation by portraying contemporary African American men and women using the conventions of traditional European portraiture. The exhibition includes an overview of the artist’s prolific fourteen-year career and features sixty paintings and sculptures.
This landmark exhibition features more than 100 photographs that together redefine Diane Arbus, one of the most influential and provocative artists of the 20th century. It focuses on the first seven years of her career, from 1956 to 1962, the period in which she developed the idiosyncratic style and approach.
Hopper Drawing is the first major museum exhibition to focus on the drawings and creative process of Edward Hopper (1882–1967).
The exhibition surveys Hopper’s significant and underappreciated achievements as a draftsman, and pairs many of his greatest oil paintings, including Early Sunday Morning (1930), New York Movie (1939), Office at Night (1940), and Nighthawks (1942), with their preparatory drawings and related works.
South African artist Lorraine Loots heads to New York to showcase 730 thumb-sized retrospective prints from her #paintingsforants collections.
Adam Lindemann, founder of Venus Over Manhattan is presents French Bashing, an exhibition of photographs, photomontages and related work by best-selling French novelist Michel Houellebecq.
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